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The Knock at the Temple Door

  • Earl O'Garro
  • 3 days ago
  • 3 min read

Updated: 2 days ago

There is a building on Constitution Avenue in Washington, D.C., a white marble edifice overlooking the National Mall, and inside it — or so we are told — the guardians of our money sit in quiet deliberation over interest rates and inflation targets and the careful, clinical language of monetary policy. The Federal Reserve has long occupied a peculiar place in American life: too powerful to ignore, too opaque to understand, and too insulated, its critics say, from the democratic will of the people. And so when three prosecutors from the office of Jeanine Pirro, the U.S. Attorney for Washington, arrived unannounced at the Fed's headquarters on Tuesday and asked for a "tour" of the building's ongoing renovation, they were not simply requesting access to a construction site. They were knocking on the door of the temple.


They were turned away, of course. A federal judge had already blocked the subpoenas Pirro's office served on the Fed, noting — with the kind of understatement that only a judge can muster — that the government had produced "essentially zero evidence to suspect Chair Powell of a crime" and that the interest in the renovation project was "pretextual." The investigators were given a phone number for the Fed's legal team and sent on their way. But the episode, small as it may seem in the relentless churn of the news cycle, reveals something far larger and far more troubling than a failed walk-through of a construction zone.


Let me be clear about what I am not saying. I am not saying the Federal Reserve is above scrutiny. I have spent my career — from the classrooms of the Whitman School of Management to the hard arithmetic of running my own advisory firm — questioning the Fed's easy money, its endless interventions, its quiet erosion of the dollar's purchasing power that punishes savers and rewards speculators. The Fed deserves hard questions. It deserves relentless oversight. What it does not deserve, and what no institution in a republic deserves, is the use of prosecutorial power as theater, as a blunt instrument of political pressure dressed up in the borrowed authority of law enforcement.


Because the danger here is not that Jerome Powell might escape accountability for a $2.5 billion renovation. The danger is that we confuse spectacle with substance and in doing so lose sight of the real accountability the Fed owes the American people — accountability for a decade and a half of zero-interest-rate policy that inflated asset bubbles and left working families behind, for the money-printing binge of 2020 and 2021 that gave us the worst inflation in forty years, for an institutional culture that consistently favors Wall Street liquidity over Main Street stability. These are the crimes, if you want to call them that, and they will not be uncovered by showing up unannounced at a construction site with a clipboard and a camera.


My father, who served this country in the United States Army before the weight of the world took him from us in 1997, understood something about institutions that too many people in Washington have forgotten: you do not strengthen them by attacking their dignity, and you do not hold them accountable by making a show of force where a show of intellect is required. The Fed's failures are policy failures — failures of philosophy, of Keynesian hubris, of the arrogant belief that a handful of appointed officials can set the price of money for three hundred and thirty million people. You fight that with ideas. You fight it with sound money principles, with Austrian economics, with the courage to say that the emperor has no clothes and that the Phillips Curve is a fiction. You do not fight it with prosecutorial stunts.


The markets, meanwhile, have their own verdict. Consumer sentiment has fallen to its lowest level since the University of Michigan began keeping records. Inflation sits at 3.3 percent, still above target, while the Fed holds rates at 3.50 to 3.75 percent and waits. The Strait of Hormuz is disrupted. Energy prices climb. And the people — the actual people, the ones who buy groceries and fill gas tanks and wonder whether they can afford to retire — are watching all of this with the grim clarity of those who have been lied to before.


The knock at the temple door was theater. But the temple itself is crumbling — not from the outside in, but from the inside out. And until we are willing to name that rot for what it is, no amount of surprise visits will save us from what is coming.

 
 
 

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©2021 by Earl O'Garro

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